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Angkor Wat
Bakheng Temple
Phnom Krom
Ta Prohm Temple
Angkor Thom
Bayon Temple
Prah Khan Temple
Ta Som Temple
Banteay Srei
Banteay Kdei
Pre Rup
Tep Pranam
Banteay Samre
Baphoun
Ta Keo
Ter-Elephants
Kravan
Chau Say
Spean Thmar
Leper King
Mebon (W)
Mebon (E)
Srah Srang
Thomanon
Krol Ko
Palilay
Suor Prat
Neak Pean

 


 Siem Reap- "Angkor Wat, Bakheng, Phnom Khrom, Ta Prohm, Angkor Thom"  
       
 
Angkor Wat      
       
 
 

Angkor Wat (or Angkor Vat) is a temple at Angkor, Cambodia, built for king Suryavarman II in the early 12th century as his state temple and capital city. The largest and best-preserved temple at the site, it is the only one to have remained a significant religious centre — first Hindu, dedicated to Vishnu, then Buddhist — since its foundation. The temple is the epitome of the high classical style of Khmer architecture. It has become a symbol of Cambodia, appearing on its national flag, and it is the country's prime attraction for visitors.

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Angkor Wat combines two basic plans of Khmer temple architecture: the temple mountain and the later galleried temples.

   
   
   
       
It is designed to represent Mount Meru, home of the gods in Hindu mythology: within a moat and an outer wall 3.6 km (2.2 miles) long are three rectangular galleries, each raised above the next. At the centre of the temple stands a quincunx of towers. Unlike most Angkorian temples, Angkor Wat is oriented to the west; scholars are divided as to the significance of this. As well as for the grandeur and harmony of the architecture, the temple is admired for its extensive bas-reliefs and for the numerous devatas adorning its walls.
 
       
History    

The initial design and construction of the temple took place in the first half of the 12th century, during the reign of Suryavarman II (ruled 1113–c. 1150). Dedicated to Vishnu, it was built as the king's state temple and capital city. As neither the foundation stela nor any contemporary inscriptions referring to the temple have been found, its original name is unknown, but it may have been known as Vrah Vishnulok after the presiding deity. It is located 5.5 km north of the modern town of Siem Reap, and a short distance south and slightly east of the previous capital, which was centred on the Baphuon. Work seems to have come to an end on the king's death, with some of the bas-reliefs unfinished. In 1177 Angkor was sacked by the Chams, the traditional enemies of the Khmer. Thereafter the empire was restored by a new king, Jayavarman VII, who established a new capital and state temple (Angkor Thom and the Bayon respectively) which lie a few kilometres to the north.

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In the 14th or 15th century the temple was converted to Theravada Buddhist use, which continues to the present day. Angkor Wat is unusual among the Angkor temples in that although it was somewhat neglected after the 16th century it was never completely abandoned. Its moat also provided some protection from encroachment by the jungle. Around this time the temple was known as Preah Pisnulok, after the posthumous title of Suryavarman. The modern name, in use by the 16th century, means "City Temple": Angkor is a vernacular form of the word nokor which comes from the Sanskrit word nagara (capital), while wat is the Khmer word for temple.

 
       
One of the first Western visitors to the temple was Antonio da Magdalena, a Portuguese monk who visited in 1586 and said that it "is of such extraordinary construction that it is not possible to describe it with a pen, particularly since it is like no other building in the world. It has towers and decoration and all the refinements which the human genius can conceive of". However, the temple was popularised in the West only in the mid-19th century on the publication of Henri Mouhot's travel notes. The French explorer wrote of it:
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One of these temples—a rival to that of Solomon, and erected by some ancient Michelangelo—might take an honourable place beside our most beautiful buildings. It is grander than anything left to us by Greece or Rome, and presents a sad contrast to the state of barbarism in which the nation is now plunged.

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Mouhot, like other early Western visitors, was unable to believe that the Khmers could have built the temple, and mistakenly dated it to around the same era as Rome. The true history of Angkor Wat was pieced together only from stylistic and epigraphic evidence accumulated during the subsequent clearing and restoration work carried out across the whole Angkor site. Angkor Wat required considerable restoration in the 20th century, mainly the removal of accumulated earth and vegetation.

   
       
       
Work was interrupted by the civil war and Khmer Rouge control of the country during the 1970s and 1980s, but relatively little damage was done during this period other than the theft and destruction of mostly post-Angkorian statues.The temple has become a symbol of Cambodia, and is a source of great pride for the country's people. A depiction of Angkor Wat has been a part of every Cambodian national flag since the introduction of the first version circa 1863—the only building to appear on any national flag. In January 2003 riots erupted in Phnom Penh when a false rumour circulated that a Thai soap opera actress had claimed that Angkor Wat belonged to Thailand.
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Angkor Wat today      
       

Since the 1990s Angkor Wat has seen a resumption of conservation efforts and a massive increase in tourism. The temple is part of the Angkor World Heritage Site, established in 1992, which has provided some funding and has encouraged the Cambodian government to protect the site. The German Apsara Conservation Project (GACP) is working to protect the devatas and other bas-reliefs which decorate the temple from damage. The organisation's survey found that around 20% of the devatas were in very poor condition, mainly because of natural erosion and deterioration of the stone but in part also due to earlier restoration efforts. Other work involves the repair of collapsed sections of the structure, and prevention of further collapse: the west facade of the upper level, for example, has been buttressed by scaffolding since 2002, while a Japanese team completed restoration of the north library of the outer enclosure in 2005.

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Angkor Wat has become a major tourist destination: attendance figures for the temple are not published, but in 2004 the country received just over a million international arrivals, of whom according to the Ministry of Tourism 57% planned to visit the temple. The influx of tourists has so far caused relatively little damage, other than some graffiti; ropes and wooden steps have been introduced to protect the bas-reliefs and floors, respectively. Tourism has also provided some additional funds for maintenance—approximately 28% of ticket revenues across the whole Angkor site is spent on the temples—although most work is carried out by foreign government-sponsored teams rather than by the Cambodian authorities.
 
       
   
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Bakheng  
       
 
 

It is a testimony to the love of symmetry and balance which evolved its style....in pure simplicity of rectangles its beauty is achieved. It is a pyramid mounting in terraces, five of them ...Below Bak-Keng lays all the world of mystery, the world of the Khmer, more mysterious ever under its cover of impenetrable verdure. Phnom Bakheng is located 1,30 meters (4,265 feet) north of Angkor Wat and 400 meters (1,312 feet) south of Angkor Thom. Enter and leave Phnom Bakheng by climbing a long steep path with some steps on the east side of the monument (height 67 meters, 220 feet) In the 1960 this summit was approached by elephant and, according to a French visitor, the ascent was "a promenade classic and very agreeable"

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Arrive at the summit just before sunset for a panoramic view of Angkor and its environs. The golden hues of the setting sun on this vista are a memorable sight. When Frenchman Henri Mouhot stood at this point in 1859 he wrote in his diary: 'Steps.. lead to the top of the mountain, whence is to be enjoyed a view so beautiful and extensive, that it is not surprising that these people , who have shown so much taste in their buildings, should have chosen it for a site.
It is possible to see: the five towers of Angkor Wat in the west, Phnom Krom to the southwest near the Grand Lake, Phnom Bok in the northeast, Phnom Kulen in the east, and the West Baray. Phnom Bakheng was built in late ninth to early tenth century by King Yasovarman dedicated to Siva (Hindi)
 
       
   
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Phnom Khrom  
       
 
 

Prasat Phnom Krom is approximately 12 kilometers (7 .4 miles) southwest of Siem Reap near the north end of the Tonle Sap Lake. It is located on a mountain 137 meters (449 feet) highs. Climb the steep stairs and curved curved path through a modern temple complex at the top of the hill. The walk affords a fine view of the lake and surrounding area.

It was built in the end of the ninth century beginning of the tenth century dedicated to the Hindu Trinity- Siva, Visnu and Brahma, with following to Prasat Bakheng art style.

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Background      
Yasovarman I built a temple on each of the three hills dominating the plain of Angkor Bakheng, Phnom Krom and Phnom Bok. The temple of Phnom Krom is visible from the airplane as one fly into Siem Reap.
 
   
Layout  
Phnom Krom is a square plan and consists of three towers in a row (1) situated dramatically on a hilltop. They were dedicated to Siva, Visnu and Brahma respectively. The upper portions of the towers have collapsed and the facades are very degraded but otherwise they remain intact. The towers are enclosed by a literate wall (2) intersected on each side by an entry tower in the shape of a cross (3). Three long halls built of laterite (only the bases of which remain) parallel the wall around the courtyard (4). They probably served as rest houses. Four small building inside the courtyard preceded the sanctuaries (5). They are similar except that the two at either end are brick and the two in the middle are sandstone. All four have a series of holes in the walls, which suggests they may have been used as crematoriums.
 
   
Central Towers  
The three central towers stand on a north south axis on a low rectangular platform with molding constructed of sandstone paving over a laterite base (6). Two sides of the base are intercepted by three stairways with lions on the landings. The towers are square and originally had four recessed tiers on the upper portion. they open to the east and west with false doors on the  north south. Traces of decoration remain around the base of the platform near the stairs, on the pilasters, the panels of the false doors, the cornices and on niches in the corners. The upper terrace affords a panoramic view of the Great Lake and the surrounding plain.
 
   
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Ta Prohm  
       
 
 
This temple is perhaps the most atmospheric of all Angkor’s treasures. The temple was a monastery built by Jayavarman VII as a residence for his mother. Ta Prohm has been left to the destructive power of nature by archaeologists to demonstrate the awesome power of nature. It has been largely consumed by the jungle and as you climb through the dilapidated stone structures you see many giant trees growing out of the top of the temple itself. At every turn you expect to see Indiana Jones or Lara Croft step out from behind a fallen pillar. It is one of the most regularly visited temples, with visitors often arriving during the middle of the day to take advantage of the protective forest canopy above the ruined temple. Ta Prohm looks as many of the monuments did when European explorers first laid eyes on them.

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Ta Prohm's state of ruin is a state of beauty, which is investigated with delight and left with regret.  
Location: Ta Prohm is locating southwest of the East Mebon and east of Angkor Thom. Its outer enclosure is near the corner of Banteay Kdei.
Access: Enter the monument from the west and leave from the east entrance.  
Tip: Ta Prohm is especially serene and beautiful in the early morning. A torch and a compass are useful for visiting this temple at all times. It was built about mid-12th century to early 13th century (1186) by the King Jayavarman VII, dedicated to the mother of the king (Buddhist) replica to Bayon style of art.
       
Ta Prohm is the undisputed capital of the kingdom of the Trees'. It has been left untouched by archaeologists except for the clearing of a path for visitors and structural strengthening to stave of further deterioration. Because of its natural state, it is possible to experience at this temple the wonder of the early explorers when they came upon these monuments in the middle of the nineteenth century.
Shrouded in dense jungle the temple of Ta Prohm is ethereal in aspect and conjures up a romantic aura. Fig, banyan and kapok trees spread their gigantic roots over stones, probing walls and terraces apart, as their branches and leaves intertwine to form a roof over the structures. Trunks of trees twist amongst stone pillars. The strange, haunted charm of the place entwines itself about you as you go, as inescapably as the roots have wound themselves about the walls and towers', wrote a visitor 40 years ago.
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A Sanskrit inscription on stone, still in place, give details of the temple. Ta Prohm 3,140 villages. It took 79,365 people to maintain the temple including 18 great priests, 2,740 officials, 2,202 assistants and 615 dancers. Among the property belonging to the temple was a set of golden dishes weighing more than 500 kilograms, 35 diamonds, 40,620 pearls, 4,540 precious stones, 876 veils from China, 512 silk beds and 523 parasols. Even considering that these numbers were probably exaggerated to glorify the king, Ta Prohm must have been an important and impressive monument.
   
       
   
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Angkor Thom  
       
 
 
Angkor Thom was the last and most enduring capital city of the Khmer empire. It was established in the late twelfth century by king Jayavarman VII. It covers an area of 9 km², within which are located several monuments from earlier eras as well as those established by Jayavarman and his successors. At the centre of the city is Jayavarman's state temple, the Bayon, with the other major sites clustered around the Victory Square immediately to the north.  
       
       
History      
Angkor Thom was established as the capital of Jayavarman VII's empire, and was the centre of his massive building programme. One inscription found in the city refers to Jayavarman as the groom and the city as his bride.
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It was not the first Khmer capital on the site, however. Yashodharapura, dating from three centuries earlier, was centred slightly further northwest, and Angkor Thom overlapped parts of it. The most notable earlier temples within the city are the former state temple of Baphuon, and Phimeanakas, which was incorporated into the Royal Palace. The Khmers did not draw any clear distinctions between Angkor Thom and Yashodharapura: even in the fourteenth century an inscription used the earlier name. (Higham 138) The name of Angkor Thom — great city — was in use from the 16th century.
 
   
The last temple known to have been constructed in Angkor Thom was Mangalartha, which was dedicated in1295. Thereafter the existing structures continued to be modified from time to time, but any new creations were in perishable materials and have not survived. In the following centuries Angkor Thom remained the capital of a kingdom in decline until it was abandoned some time prior to 1609, when an early western visitor wrote of an uninhabited city, "as fantastic as the Atlantis of Plato" which some thought to have been built by the Roman emperor Trajan.
 
 
 
Style      

The city lies on the right bank of the river Siem Reap, a tributary of Tonle Sap, about a quarter of a mile from the river. The south gate of Angkor Thom is 7.2 km north of Siem Reap, and 1.7 km north of the entrance to Angkor Wat. The walls, 8 m high and flanked by a moat, are each 3 km long, enclosing an area of 9 km². The walls are of laterite buttressed by earth, with a parapet on the top. There are gates at each of the cardinal points, from which roads lead to the Bayon at the centre of the city. As the Bayon itself has no wall or moat of its own, those of the city are interpreted by archaeologists as representing the mountains and oceans surrounding the Bayon's Mount Meru. Another gate — the Victory Gate — is 500 m north of the east gate; the Victory Way runs parallel to the east road to the Victory Square and the Royal Palace north of the Bayon. The faces on the 23 m towers at the city gates (which are later additions to the main structure) take after those of the Bayon, and pose the same problems of interpretation. They may represent the king himself, the bodhisattvaAvalokiteshvara, guardians of the empire's cardinal points, or some combination of these. A causeway spans the moat in front of each tower: these have a row of devas on the left and asuras on the right, each row holding a naga in the attitude of a tug-of-war. This appears to be a reference to the myth, popular in Angkor, of the Churning of the Sea of Milk. The temple-mountain of the Bayon, or perhaps the gate itself, would then be the pivot around which the churning takes place. The nagas may also represent the transition from the world of men to the world of the gods (the Bayon), or be guardian figures. The gateways themselves are 3.5 by 7 m, and would originally have been closed with wooden doors.

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The south gate is now by far the most often visited, as it is the main entrance to the city for tourists. At each corner of the city is a Prasat Chrung — corner shrine — built of sandstone and dedicated to Avalokiteshvara. These are cruciform with a central tower, and orientated towards the east.
     

Within the city was a system of canals, through which water flowed from the northeast to the southwest. The bulk of the land enclosed by the walls would have been occupied by the secular buildings of the city, of which nothing remains. This area is now covered by forest.

Other than the Bayon, all the main sites are located west or east of the Victory Square. From south to north these are to the west Baphuon, the Terrace of the Elephants, Phimeanakas and the Royal Palace, the Terrace of the Leper King, Tep Pranam and Preah Palilay; to the east, the Prasats Suor Prat the South Khleang, the North Khleang, and Preah Pithu.

Recently, it has been noticed that on one of the ruins, there appears to be a dinosaur carved into the wall. This is most intriging considering the site is centuries old and that the dinosaur carving is surrounded by animals of today, such as elephants, snakes, horses and various other creatures.

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Bayon  
       
 
 
The Bayon is a temple at Angkor, cambodia. It was built in the 13th century as the state temple of king Jayavarman VII, and stands at the centre of his capital,Angkor Thom. the most distinctive feature is the multitude of smiling faces on the towers which rise up to its central peak.
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It also possesses two sets of bas-reliefs, which depict an unusual combination of mythological, historical and mundane events.
   
     
The main current conservatory body, the JSA, has described the temple as "the most striking expression of the baroque style citation needed, compared to the classical style of Angkor Wat.
   
   
   
   
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In the first part of the 20th century conservation work was led by the Ecole Française d'Extrême-Orient, which restored the temple using the anastylosis technique. Since 1995 the Japanese Government team for the Safeguarding of Angkor (the JSA) has been the main conservatory body, holding annual symposia.

 
     
  The Site  
 
The temple is orientated towards the east, and so its buildings are set back to the west inside enclosures elongated along the east-west axis. Because the temple sits at the exact centre of Angkor Thom, roads lead to it directly from the gates at each of the city's cardinal points.
 
     
 

The temple itself has no wall or moats, these being replaced by those of the city itself: the city-temple arrangement, with an area of 9 square kilometres, is much larger than that of Angkor Wat to the south (2 km²).

 
       
Within the temple itself, there are two galleried enclosures (the third and second enclosures) and an upper terrace (the first enclosure). The outer gallery features a series of historical and everyday scenes on its outer wall, but there is considerable uncertainty as to which historical events are portrayed and how, if at all, the different reliefs are related. From the east gopura clockwise, the subjects are: a marching Khmer army (including some Chinese soldiers), followed by wagons of provisions; domestic scenes; in the southeast corner, a temple scene; on the south wall, a battle on the Tonle Sap between Khmers and Chams, with more domestic scenes underneath; a naval display; palace scenes; Cham boats, followed by a land battle won by the Khmers, then the Khmer victory feast; a military procession (including both Khmers and Chams); on the west gallery, unfinished reliefs show an army marching through the forest, then arguments and battle between groups of Khmers (Freeman and Jacques suggest that this may show a revolt which took place in 1182); a royal procession; on the north gallery, again unfinished, royal entertainments and more battles, one showing Khmers defeated by the Chams; in the northeast corner another marching army; and on the east gallery, a land battle being won by the Khmers.
 
       
   
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